Noises off: Chris Wilkinson's final column
Want to keep abreast of the theater stage in the world? Allow me to sign saying that there is no better than trekking in the blogosphere
This is for my (very) rough estimates, the noises outside my blog 175 years. It is also, unfortunately, the last. The three and a half years, I was trekking through the blogosphere since my first post in February 2008 had a huge influence on my thinking about the theater and the work I do in my other life as a theater director.
bloggers often criticized by leading critics, practitioners, and to be honest with each other. The host of sins includes the perception of lack of professionalism, inexplicable, and unreadable at times. Obviously, with so many things, you can always find examples of work of guilty on all three counts. However, if you know where to look, you can also find people with a deeply sophisticated theater -. This is a real virtue of not being bound by any agreement or the limits of speech of traditional journalism
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See, blog, such as George Hunka, where she recently published a trilogy of articles on erotic tragedy. Eros and tragedy are the problems of the current fascination Hunka (in fact, recently published a book on the subject). And he was able to explore online with a depth and persistence that would not be possible otherwise.
Blogsalso consider the traditional boundaries between the physician and critic who is completely metabolized. See, for example, in the work of writers such as Guy Yedwab Culture and the Future Flux Theatre August Schulenburg, combining an analysis of their own work with a much larger bear in the theater as a whole. In the UK, the blogger who brings these two elements, with more panache is Chris Goode. He questioned both his own work and that of others with a depth, rigor and insight that is rarely seen.
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